Monday, November 30, 2009

The Real Deal

Just as actors with a good director can portray a role that's completely believable to the audience, all of us have developed self-images to fulfill the roles expected of us as children, resulting in habitual, patterned behavior.

Although you may not be conscious of exactly how that happened, you were programmed as surely as if someone said, "Act this way and you will be accepted/ loved/ admired/ protected/ supported/ (add your own word)."

Furthermore, we all want to win the Oscar, so we've learned to interact with others in ways that reinforce the patterns and maintain the image.

To find the real you, the first and most basic practice is neutral self- observation. If you were an experienced birdwatcher you would want to identify particular birds, to know about their habitat, habits, plumage, and shapes. You would not be looking through binoculars and thinking, "Oh no! Those swallows aren't migrating in a perfect V."

A bird is a bird; a pattern is a pattern. Engage your curiosity instead of self-criticism.

Sunday, November 29, 2009

How to Do Yourself In

(Drawn from Paul Watzlawick:

1. Reject the world as it is and decide there's only one correct view: yours!
2. Base your relationships on someone needing help and you're supplying it.
3. Carefully maintain a disbelief in your own lovability.
4. Turn the past into a reliable source of unhappiness.
5. Maintain your stereotypes by limiting contact with people different from you.
6. Sharpen your eye for ominous portents.
7. Keep a smile on your face; never acknowledge what you're actually feeling.
8. If your solution hasn't produced the desired results, apply it more forcefully.
9. Set a lofty goal so no one will blame you if you're lost or haven't even started.

Do some of these sound more like you than others? Discover your personality blind spots and potential.

Yes, You Can

Think of all the times you've said you couldn't do something and found you could, when mentored or coached.  

In early 2008 I started art classes with Lissa Friedman, who has helped me discover a completely new aspect of myself.

The cloisonne vases in this still life have been in my family since my Dad was stationed in Japan in the mid-forties; the Italian silk scarf was a gift from my friend Lesley. During the process of painting this still life, I was inspired by Stede Barber's article, "'Can I Be An Artist?' Yes, You Can."